Tag Archives: Buffy

The Witch and the Dragon – Chapters 1 & 2

“The Witch and the Dragon” is Buffy fan fic, 28,000 words, over a quarter the length of a typical novel. I finished it in sixteen days. The story grabbed me, demanded to exist, and practically wrote itself. For those two weeks, I was obsessed, working on it every free moment, thinking about it every non-free moment. (Ask Betsy if you don’t believe me.) It was about the most fun I’ve ever had writing anything.

Finally, on February 12, came the moment of truth. Betsy sat down to read it.

When your wife says your story is good, you might wonder if she’s just being polite. But when she reads 28,000 words in a single sitting, without even getting up, you dare to hope that you’ve got a winner. (I later made some more revisions based on her feedback.)

So here it is. I’ll probably post it in two-chapter chunks, one every Monday. [Update: entire story now available online.]

The story’s set in the year 2035, thirty-two years after the end of the Buffy TV show. Why so far in the future?

I was inspired, in part, by the Babylon 5 series finale “Sleeping in Light,” which similarly takes place twenty years after the main arc has ended, gathering the divergent threads of the characters’ lives and weaving them back together one last time. I love the idea of looking ahead, seeing how time and circumstance have changed everyone. How have they matured, and how are they the same? What’s been broken, and what’s been fixed? What’s the fallout of the story you fell in love with? Who are these people, really?

Also I wanted to write a big-ass battle scene, because those are fun.

The story draws on Buffy as well as Angel, so ideally you’ve seen them both in their entirety before reading this. If you’ve only seen Buffy, you can probably get by okay. If you haven’t seen either, you’re welcome to read, but I can’t promise it will make sense. In any case, there are major-league spoilers for both shows, so consider yourself warned.

In terms of continuity, I have (mostly) ignored the comics. I did this for several reasons, not least because I (mostly) haven’t read them yet. Just pretend that only the TV shows are canon.

In terms of content, I’d call this PG-13 for language, violence, and some sexual references. Overall, a little tamer than the shows.

Enjoy!

Table of Contents

[Chapters 1 & 2] [Chapters 3 & 4] [Chapters 5 & 6]
[Chapters 7 & 8] [Chapters 9 & 10] [Chapters 11 & 12]
[Chapters 13 & 14] [Chapters 15 & 16] [Chapters 17 & 18]
[Chapters 19 & 20] [Chapters 21 & 22] [Chapters 23 & 24]
[Chapters 25 & 26] [Chapters 27 & 28] [Chapters 29 & 30]
[Chapters 31 & 32]

Standard Disclaimer

This is fan fiction of Buffy the Vampire Slayer and Angel, which were created by Joss Whedon. If you like, you can read my thoughts on the ethics and legality of fan fiction.


The Witch and the Dragon

Chapter 1

Willow strode into the high-walled grassy courtyard with a sigh of relief.

A two-hour personnel review, another hour of budget revisions with the Board, a telecon interview with the San Francisco Journal of Metaphysics, half an hour to scarf down lunch – and somehow it wasn’t even noon yet.

Running the San Jose College of Witchcraft left precious little time for witchcraft. But that was about to change.

She kicked off her shoes, savored the cool grass on her bare feet. A breeze played with her short hair, and the California sun warmed her face.

Hello, world. I’ve missed you.

“Dr. Rosenberg?”

The voice belonged to a lanky, blond-haired boy who barely looked old enough to drive – not that anyone drove much anymore. He got up from his wrought iron chair and crossed the grass to meet her, a gray backpack slung over one shoulder, textbook in hand.

“You must be Marcus,” she said with a smile. He shook her hand vigorously.

“It’s such an incredible honor to meet you, Doctor. Um – should I call you Doctor or President?”

The way he talked to her, like she’d stepped out of a myth, made her feel every bit of her fifty…great Gaia, was she really fifty-four?

She didn’t feel any different. Was it possible the students were getting younger?

“Willow is fine,” she said lightly, sitting down on the grass.

“Oh, uh. Yes, ma’am.” He hesitated, then sat down facing her, depositing his stuff to one side. “Should I take off my shoes, too?”

“Only if you want to.” Willow reached into a blouse pocket and fished out two acorns. “Marcus, I try my best to meet every freshman one-on-one. I want all my students to be excited about magic. But I want them to be careful, too.”

She handed him one acorn and held the other in her open palm. He mimicked her.

“To levitate this,” she continued, “I don’t have to lift it. I just have to weave a gap in the earth’s downward pull. Then, with the slightest push, the acorn will rise on its own.”

She demonstrated, letting it rise a few inches. He did the same, grinning at her.

“It’s a subtle difference, but important. I’m not imposing my will on the universe. I’m finding a way to align its will with my own.”

The acorns fell.

“So many students think magic is about controlling things. That’s absolutely wrong.” She locked eyes with him, gentle but firm. “Magic is about self-control. Do your part, and the universe will do its part. Fail to control yourself, and the results can be devastating. Understand?”

“Yes, yes.” He was nodding. “That makes sense. Um…do you think you could show me with something bigger?” He picked up the textbook. “Like this?”

More. Bigger. Faster. That’s what they all wanted from their magic.

But then, she’d been the same way, at their age.

“I’m afraid acorns are about as big as I can go, these days.” She smiled again, trying to put him at ease. “I hope you’re not disappointed.”

“Oh, no ma’am, not at all. Everyone knows you’re still the greatest witch in the world, even after your…” Suddenly his ears turned red, and he fell silent.

“After my burnout?” said Willow.

“I’m sorry, ma’am. I didn’t mean to…”

“It’s all right,” she said honestly. “That was over fifteen years ago. I’ve moved on. Besides, you can do a lot, even with very little power. For instance – ”

Willow cut off as she noticed her secretary approaching. She frowned. “Margaret, can this wait till after the lesson?”

Margaret knelt beside her and whispered in her ear.

Her skin went cold.

“Please reschedule this young man for another day,” she mumbled, and sprinted back to her office, still in her bare feet.

Chapter 2

Willow reclined in the chair, drumming her fingers on the armrest as she tried to think. “And you’re certain of all this?”

On the rectangle of light floating over her desk, a blue-eyed, blue-haired woman tilted her head. “I am not. It is possible my calculations are in error, or that I am misinterpreting the results.”

“But you’re pretty sure?”

“I estimate the likelihood at over ninety-nine point nine nine nine nine nine– ”

Willow chuckled. “Forgot who I was talking to.”

“I am Illyria Burkle. For a thousand aeons, my armies laid waste to gods and mortals. Now, I conduct physics research at the Massachusetts Institute of Technology.”

“Thanks.”

Illyria claimed all remnants of the Fred persona had vanished decades ago. That she had taken up her surname and profession to honor a woman who no longer existed.

But Willow couldn’t believe that. She’d only met Fred twice, but she had seen too much humanity in Illyria to accept that Fred hadn’t made a mark.

“Was I correct,” said Illyria, “in assuming that this information would interest you?”

“Yes. Absolutely. Thank you.”

“Then may I ask if you have formulated a course of action?”

She glanced up at the framed diploma on her wall, which assured her that one Willow Danielle Rosenberg still had a PhD in computer science.

“I’m a doctor,” she said. “It’s time to make some house calls.”

[Go on to chapters 3 & 4]

Why I’m Going to Post My Buffy Fan Fic Online

I’ve made no secret of my love for Buffy the Vampire Slayer, and recently I’ve even admitted to writing fan fic. Kind of a lot, in fact. And I was getting a little bummed out that I couldn’t post it online, because I felt it might be illegal and/or unethical and/or improper for an author hoping to be published himself.

But I’ve done some research, and you know what? I think I’m going to do it. And I’m going to write a whole post about why, on the dubious assumption that you care, because that’s just the kind of person I am.

The debate on this topic has been long and often heated, but my goal here isn’t to rehash old arguments. My goal is to clarify – to myself, as well as others – what my own position is.

Let’s look at the possible objections.

Isn’t posting fan fic illegal?

(Disclaimer: I am not now, nor will I ever be, a lawyer. This answer is based on my own personal research. Disclaimer #2: We’re talking about U.S. law here. I can’t speak for any other nation.)

The short answer: as far as I can tell, the legality of fan fic is unclear.

The long answer:

Fan fiction definitely uses material copyrighted by someone else, but that isn’t necessarily copyright infringement. You aren’t infringing as long as your work is “fair use.” And what is fair use?

Unfortunately, the law doesn’t give a clear definition. What it gives are four “factors” to consider. The more factors are in your favor, the more likely the court is to decide your work is fair use. The factors are:

  • The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes
  • The nature of the copyrighted work
  • The amount and substantiality of the portion used in relation to the copyrighted work as a whole
  • The effect of the use upon the potential market for or value of the copyrighted work

I plan to post my stuff online for free, so I wouldn’t think it’s “of a commercial nature.” As for the “purpose and character of the use,” are my stories transformative or derivative? I would think they’re both, but I have no idea what a court would say.

How much of the Buffy canon am I using in my story, “in relation to the copyrighted work as a whole” (i.e. the whole canon)? Depends what you mean by “use,” but I would think not very much. The vast majority of episodes aren’t even mentioned.

Finally, what is “the effect of the use upon the potential market for or value of” Buffy? Negligible.

So, a number of points in my favor. Whether that’s enough, I really don’t know. Maybe we’ll find out!

Aren’t you stealing money from the original author/creator?

If I am, I must be doing it wrong, because I don’t see my bank account going up.

But aren’t you siphoning potential sales from the original author?

You mean, are people going to watch/read less official Buffy because they’re too busy reading my stuff? I think you vastly overrate my influence here. In reality, fan fiction keeps people more interested in the source material, not less.

Won’t the author get angry or upset?

Depends on the author. J.K. Rowling is cool with Harry Potter fan fic. Neil Gaiman and John Scalzi appreciate fan-written works as well. Orson Scott Card said, “Every piece of fan fiction is an ad for my book. What kind of idiot would I be to want that to disappear?”

On the other hand, some authors – even some authors I respect, like George R. R. Martin – have made it clear that they want no fan stories about their characters. Such authors give a variety of reasons for this, including:

  • If I don’t defend my copyright, I could lose it. (As far as I can tell, this is inaccurate. It appears to be true of trademarks, but that’s a separate issue.)
  • I dislike seeing my characters mishandled and abused by others. (It’s legitimate to feel this way, and in such cases I might decide to respect the author’s wishes out of kindness, but that says nothing about what fans have the right to do.)
  • Fan fiction is lazy. (Writing fan fiction about a story takes more effort than merely reading a story, but authors never seem to complain when you read their stuff. Weird, huh?)
  • I’m losing money on this. (99.999% of the time, it’s posted free online, so nobody’s losing money. If a fan really is trying to make a buck on your copyrighted stuff, by all means, go after them.)
  • Fan fiction will tarnish the good name of me or my work. (I have never confused fan work with official work, nor heard of anyone who has. But if this is really the concern, a simple disclaimer at the top – “This is a work of fan fiction, etc.” – should clear it up.)

Why don’t you just write a story in your own original universe?

This is like seeing someone eat chocolate ice cream and asking, “Why don’t you just eat vanilla?” The answer, of course, is “Because I felt like chocolate.”

I’ve written tons of non-fan fiction, and I enjoy it. But that doesn’t mean it’s the only legitimate way to write. Yes, fan fiction is easier in certain ways (worldbuilding largely done for you, for example), but that doesn’t make it wrong, and it doesn’t take away from the writing skills you still have to use.

Isn’t fan fiction inherently low-quality?

I’ll grant you that most fan fiction is low-quality, for the same reason that most of anything is low-quality. But the idea that badness is somehow inherent in the very idea of fan fiction itself?

Well, let’s see.

  • The critically acclaimed play, Rosencrantz and Guildenstern Are Dead, is fan fiction of Hamlet.
  • Michael Chabon, who has won a Pulitzer Prize (among many other awards), wrote the novel The Final Solution, which is Sherlock Holmes fan fiction.
  • The novel March, by Geraldine Brooks, won the Pulitzer Prize as well. It is  fan fiction of Little Women.
  • Paradise Lost, by John Milton, is fan fiction of the Bible.
  • The Aeneid, by Virgil, is fan fiction of the Iliad.

I don’t know if you know this, but many people consider those last two books to be – and I quote – “pretty good.”

To be clear, I’m not joking about Paradise Lost being fan fiction of the Bible. Yes, it’s funny to think of it that way, and yes, it’s very different from most fan fic today (understatement of the year), but fan fiction is still literally, exactly what it is.

Remarkably enough, it appears you can, in fact, tell a good story with someone else’s characters.

Wouldn’t you, as an author, be upset if someone wrote fan fiction of your stories?

Are you kidding? That would be friggin’ amazing. I hope someday I’m good enough that other people write fan fic of my stuff.

See, I believe the mindset that views fan fic as “stealing” or “appropriating” is fundamentally misguided. Fans aren’t taking. They’re giving.

Do you know what a fan fic is? It’s a shrine. It’s someone saying, “I love your fictional world so much and I want to be in it so much that I wrote something that didn’t even exist just so I could spend a little more time there.”

The idea that any creator could be upset about this is, frankly, baffling to me. I understand that some are, and they’re entitled to their feelings. I just don’t get it, is all.

(Of course, I’m talking here about stuff posted for free, that acknowledges the source it’s working from. Someone making money off your ideas, or taking your words verbatim and calling them their own, is a different matter.)

Aren’t you embarrassed to post Buffy fan fic online?

Buffy the Vampire Slayer is one of the greatest TV shows ever made. If you don’t think so, you’re entitled to your opinion. And your opinion is wrong.

What does Joss Whedon (the creator of Buffy) think about all this?

There are a lot of Whedon quotes about fan fic, but this is my favorite:

I love it. I absolutely love it. I wish I had grown up in the era of fan fiction…I think it’s kind of a glorious thing to be able to be carrying the torch. That’s why I made these shows. I didn’t make them so that people would enjoy them and forget them; I made them so they would never be able to shake them. It’s the way I am as a fan. I create the shows that would make me do that.

Toronto Star interview, May 22, 2004

Finding out his attitude about this was the single biggest factor in my decision to go ahead and post my stuff. Fan fiction isn’t just something he tolerates. It’s part of the reason he made Buffy in the first place.

So. This was a really long post, but it was good for me to lay this all out, to organize my thoughts. Maybe next time I discuss this with someone, I’ll actually know what I’m talking about!

In the meantime, brace yourself for the Buffyness to come…

Writing Fan Fic (Yes, Really)

“Fan fiction” is pretty much what it sounds like – a fan of something (TV show, book series, whatever) writes a story about those characters, set in that universe. So a Trekkie (for example) creates a story about Data, post-emotion-chip, falling in love with Dr. Crusher. Something like that. Unlicensed, unofficial, and possibly not so much legal – anyone can do it. All you need is a story and a site to host it on.

The world of fan fic is a twisted, slightly horrifying, eternally fascinating place. See, anyone can write it – so you have thousands of different authors, and zero quality control. The Vulcan proverb says “Infinite Diversity in Infinite Combinations,” and that’s exactly what happens. Without a filter, you get everything – every possible idea for a story, good or bad, it’s out there somewhere.

“Good or bad” means, of course, mostly bad. Sturgeon’s Law applies: 90% of everything is crap, and in this case I’d say 90% is generous. No cliche is unused, no relationship pairing is unexplored, no act of sex or violence is so grotesque that it isn’t portrayed in extensive graphic detail somewhere or other. (Draco putting Harry Potter in a sex dungeon isn’t a story, it’s a genre.) And, of course, these aren’t professional writers, so even the better story ideas are often marred by poor writing.

And yet, and yet…I confess there’s a certain allure.

Partly it’s fun seeing how wacky the stories can be, even if they aren’t especially good. Partly it’s cool spending a little more time with characters you love, even if they aren’t written quite right. And partly – I admit – some of it is actually pretty good.

Lately I’ve been writing some fan fic myself – Buffy, of course. It’s the first serious writing I’ve done in months, and the first fan fic I’ve written in over a decade. It feels a little weird, a little silly – and you know what?

I love it.

It’s an entirely different experience than writing an original story. For one thing, it’s much easier (in my opinion), because so much of the work is done for you already. World-building? Already finished. Characters? Developed, ready, and waiting. Exposition? Minimal, since your readers already know the universe. The groundwork is there – all you have to write is the story. It’s an intriguing exercise.

And besides, creating more content for a show you love is just fun. Each story is like a scene, or an episode, that never existed before – and if you do it well enough, it even feels sort of “real.” You can write plots or confrontations that you always wanted to see in the show, but never did. You can do, well, anything you want.

My obsessions tend to go in cycles, and this one may burn itself out in a week or two. We’ll see. But for now, it’s a pretty good time.

Have you ever read, or – god help you – written any fan fic? What was it like?

Postmortem: Angel

(Warning: spoilers for Buffy the Vampire Slayer and Angel.)

First there was Buffy the Vampire Slayer, and it was good. Then came its spinoff series, Angel. Not a sequel but a companion piece: set in the same universe, and mostly at the same time. Same creator, some of the same characters. Two stories, separate but linked, running in parallel.

I can hardly think about Angel without comparing it to Buffy. They’re similar in many ways: similar dialogue and humor, same crazy twists and sudden deaths, same general idea of kill-evil-monsters-for-Good. But they’re also very different, and it took me a while to figure out why.

I think, fundamentally, the difference is this. Buffy is a show about growing up, a journey from adolescence to adulthood, a bildungsroman. Because it shows life through a youthful lens, the hopes are brighter, the evils are darker, the line between them is clearer, the romances are more dazzling, the battles are more dramatic.

Angel, on the other hand, is a show about adults. It’s not a journey. It’s about figuring out what “good” and “evil” actually mean. It’s about exploring the vast, messy gray area between them. And it’s about understanding our purpose as human beings.

That’s all oversimplifying, of course. The distinctions aren’t as clear as all that. But that’s the basic vibe that I got.

And Angel does do an excellent job of grappling with these difficult questions. For instance, what does it really mean to be “good”? Is it about heroism, bravery, virtue – or is it about helping the most people, by any means necessary, even if you soil your hands in the process? And why, exactly, do we fight? Do we fight to win – or do we fight because it’s the right thing to do, because it’s our purpose, even if victory is impossible? These are adult issues, and they’re handled in an adult way.

Angel also has great characters (like every other Joss Whedon work I’ve ever seen). I give them props especially for taking three of the least likable Buffy characters – Angel (boring), Cordelia (shallow), and Wesley (prissy), and making me love them as much as anybody on television. The original characters are good too – Gunn’s cool, Fred is amazing, Lilah and Lindsey make you root for them in spite of their evil, and Ilyria is, well, Ilyria.

Oh and Connor sucks, but then everybody knows that already.

Gotta mention, too, the series finales. As I said in my other review, Buffy‘s finale left me flat. Full of sound and fury, signifying nothing. Angel‘s finale, on the other hand, was incredible: by turns touching, hilarious, ass-kicking, heartbreaking, and wise. This won’t mean anything if you haven’t seen the show, but Ilyria’s final line to Wesley – “Shall I lie to you now?” – is one of the saddest things I’ve ever heard in a story.

The last line of Buffy, spoken after a great victory, is: “What are we gonna do now?” Full of hope and possibility. By contrast, the last line of Angel, spoken in the middle of a great battle, is: “Let’s go to work.” This says a great deal about the difference between the two shows.

All things considered, I have to say I like Buffy better. The quality’s not as consistent as Angel, and the lows are lower, but the highs are definitely higher. No Angel episode can compare with Buffy’s “The Body,” “Once More With Feeling,” or “After Life.” (Oh, and Angel has more torture. Like way, way more. Really could’ve done with a little less torture.)

Nevertheless, Angel is an amazing show, and I recommend it to anybody. Even if you’ve never seen Buffy, you can pick it up without much trouble.

Anyone else seen Angel? What did you think?

Postmortem: Buffy the Vampire Slayer

I had heard good things about Buffy. I knew it was created by Joss Whedon, the same guy who did Firefly and The Avengers, both of which I loved. And I noticed it was on Netflix. So I asked my wife – want to give it a whirl?

Sure, why not. Goofy title, strange premise, but we like weird stuff. Could be okay.

Then we blinked, and somehow, months had passed. We emerged dizzy and dazed from the living room. We had binge-watched all seven seasons. 144 episodes. Zero regrets.

Simply put, Buffy the Vampire Slayer is one of the greatest shows I’ve ever seen.

Saying that Buffy is about vampires and demons is like saying that Star Trek is about technology and aliens. It’s technically true, but it completely misses the point. The monsters in Buffy are lenses for exploring humanity. And explore it does.

How do I love this show? Let me count the ways:

  • It’s funny. No, I mean really funny. It’s got puns. (“We thought you were a myth!” “Well, you were myth-taken.”) It’s got British snark. (“Look at her shoes. If a fashion magazine told her to, she’d wear cats strapped to her feet.”) It’s got sarcasm – lots and lots of sarcasm. Buffy is funnier than most shows that describe themselves as “comedy.”
  • It has great characters. This is the heart of the show. How the writers convinced me to care this much about a group of fictional people, I really don’t know, but it worked. Which leads to my next point…
  • It will rip your heart out. Buffy deals with sacrifice. Depression. Unrequited love. Growing up. Betrayal. And death: not the comic book kind, but real, honest, brutal, unflinching death. There are times Buffy is genuinely hard to watch, in the best possible way.
  • It has great dialogue. Well, great writing in general, actually. But I guess I’ve sorta implied that already.
  • It has great acting. I’m overusing “great,” I know, but it’s true. Sarah Michelle Gellar (Buffy) and James Marsters (Spike) are real standouts in this department, though the entire cast is good. Some of my favorite scenes in the series don’t even have any dialogue – their faces say it all.
  • Rocket launcher. Why? Because they can.

Okay, you get the picture. Brian and Buffy, sitting in a tree, etc. So what are my criticisms?

  • The first season is a little rough. Low budget, cheesy effects, slow pace, and the writing hadn’t really hit its stride yet. Only twelve episodes, though, and even some of those are quite good.
  • The series finale. Most fans seem to like it. I thought it was extremely disappointing and deeply, deeply stupid. Sad for such a good show to end on a low note.
  • The occasional dud. Among so many quality episodes, the bad ones stand out all the more. “Beer Bad,” “The Killer In Me,” I’m looking at you.
  • Hit-and-miss special effects. And the earlier in the series you are, the more likely it is to be “miss.” Computer-generated graphics in the 90s? Best not to talk about it.

If you want even more analysis, try Critically Touched, which has an in-depth critical review of every single episode and season. Excellent stuff.

I’ve rambled enough. Your turn. Any thoughts?